Choose from these words to fill in the blanks below:
Psychedelic, Perfection, Matured, Fresh, Beach, Locations, Serious, Specialized, Altamont, Homogenized, Wear, Black, Ambitious, Standard, Challenges, Continuous, Corporate, Movements, Cleaner, Albums, AM, Mega, Refined, Business, Visceral, psychedelic, skill, musicianship, in demand, fm, teen
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60's and 70's
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Many music historians break with Woodstock and 1969
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The end ofIt was like something new in the 70s.
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but in many ways the late 1960s and 1970s can be seen as apiece of music history
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Summary of the 1970s
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The rise of musicThe group
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Most of the groups that played music in the 70s were:
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worried about being takenlike professionals
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had a certain level of professional level
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even theinstead of brain gamers
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although punk and disco music began to appear in the late 70sthis imagination
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What is different about the 70s?
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while many musical genres were mixedfrom the late 1960s, including rock, world music, jazz, country, and few delved into that.music areas
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in the 70s they are divided into separate styles such as country rock, progressive rock and jazz rock
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you can think of it in relation to Pink Floyd's Dark Side of the Moon cover with 1960s psychedelia as a white light coming into the pyramid containing all sorts of stylistic elements
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So coming out of the pyramid towards the '70s, you get a breakdown of all these different types of specialized styles.
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Rock was still quite apart
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not a lot of white people listening to rock radio know a lot about black music
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generallyin the music of the 70s
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Rise of ambitious bands
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taken more as a professional musician
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the punk reaction to that
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the disco phenomenon
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black pop parallel track
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The rock keeps growing
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second half of the 70s, the bands sold many more records
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Corporate Rock
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rock music using big arena, in particular sports facilities, for concerts or concert series connected in circuits
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albums
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People started selling albums in quantities that no one thought possible.
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brought multinationalin business
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The music began to play a safer game
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be less ambitiousand kind listener
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The rock business grew incredibly throughout the 1970s.
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Albums and singles are becoming separate markets
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It already happened in 1967 and 1968
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Albums are the thing to look for.radio band
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Singles, which had been the commodity in the early years of rock 'n' roll
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mostly banned byBanda
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AM war Hit-Song-Radio, Solteros
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FM radio becomes bands that mainly sell
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In the early '70s, if you really cared about the band, you bought the albums.
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People who bought Singles were:
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shallow listeners
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seen as people whoto buy albums
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AM has often been described as exhausted, commercial,- above
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FM was where the real action was
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Broadened stylistic spectrum in the 1970s
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Jazz
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Volk
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Indonesian
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Classic
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Vanguard
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the hippie aesthetic
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A rock musician sees himself as an artist who has a responsibility to create something.Music
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don't just play what you aregame
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no song to build a teenager orMercado
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You write and play your own music.
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at the highest technical levelthat you can
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proud of you
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Use the best technology to create thepossible recordings
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You don't want to be seen as someone who does the same things over and over again.
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You want your new material to go places you've never been
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started in the 1960s
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The Beatles, TheBoys and Bob Dillon push the idea of a rock musician artist
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continues into the 70s and becomes the70s rock model
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that will bewith disco and to some extent punk at the end of the decade
Ideas and concepts:
Musical metaphor for tonight's rock and roll class history day:"A big difference between the music of the late '60s and the music of the early '70s is that during the psychedelia of the late '60s, many genres of music were mixed together, including rock, world music, jazz, and jazz. country, few people bothered with these as specialized areas of the music itself.However, by the 1970s, each of these genres split into separate styles, such as country rock, progressive rock, and jazz rock. You can imagine this in relation to Pink Floyd's Dark Side of the Moon album cover, where the psychedelic movement of the 1960s with all its stylistic elements is the white light entering the pyramid depicted by Woodstock and Altamont in the The year is 1969, and coming out of the pyramid there is a sharp break from this raw musical mix in all its specialized and distinctive '70s styles."
Music History Vocabulary of the Day via this morning's Rock and Roll History class: “Corporate rock, no. rock that uses large spaces, especially sports, for concerts or series of concerts connected on tour, with a commercial and radio sound. The origins of corporate rock date back to the 1960s, at times when The Beatles played at New York's Shea Stadium in 1965. Early bands to find success in this genre included The Rolling Stones, Grand Funk Railroad, and Led Zeppelin. . The trend developed in the mid-1970s, as the increasing power of amplifiers and sound systems allowed ever larger venues to be used. Smoke, fireworks, and fancy light shows became staples of arena rock performances. It has been argued that the rise of corporate rock marked the end of 1960s idealism, particularly in the post-1969 Altamont Free Concert disillusionment with a more commercial form of rock music. Headlining acts included Journey, REO Speedwagon, Foreigner, Styx, Kiss, Peter Frampton, Boston, and Queen. The commercialism and over-the-top showmanship of arena rock was seen as fueling a variety of responses, such as the punk rock movement in the 1970s. In the 1980s, corporate rock was dominated by glam metal bands (bands that combined rock and punk) following the lead of Aerosmith, including Mötley Crüe, Quiet Riot, W.A.S.P. and mouse".
On the hippie aesthetic in '70s rock and roll, on the history of tonight's rock and roll class:"In the early 1970s, a rock musician saw himself first and foremost as an artist with a responsibility to create sophisticated music, not just play what he was supposed to play, not just create songs for a teen market. or hipster, but to write and perform.. your own music at the highest technical level, using the best technology available to create the cleanest recordings possible.You didn't want to be seen as doing the same thing over and over again, you wanted your New Material will go places you've never gone before. This adherence to authenticity and quality began in the 1960s with the Beatles, the Beach Boys and Bob Dillon furthering the idea of the rock musician and continued into the 1970s to become the standard rock model music of the decade finally emerging By the end of the decade it had become a friction with disco and to some extent punk.